Race, Gender, and Identity in American Equine Art

Introduction: But the Horse is Much, Much More, 1. Interspecies Entanglements in Edward Troye's Racehorse Portraits, 2. Bone, Speed, and Blood: Schreiber & Sons and the Photographic Equine Portrait, 3. A Girl Who Can Handle a Horse Well: The Rodeo Cowgirl in Early Twentieth-Century Real Photo Postcards, 4. Richard McLean's Equine Acts, Epilogue

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• História das Américas
• Sociologia
• Artes: temas gerais
• Ética e filosofia moral
• Estudos étnicos
• Antropologia social e cultural
• Estilos de arte não definido por data
• Estudos regionais
• Pintura e obras de pintura
• Fotografia e fotógrafos

art history;modern art;animal studies;horses;horse studies;equestrian art;equine art;art and race;art and gender;African Americans;American art;horseracing;rodeo;horse shows;Western United States;race studies;gender studies;portraits;painting;photography;horse breeding;slavery;slavery studies;Edward Troye;jockeys;patrons;artists;Thoroughbreds;postcards;contemporary art;antebellum;Schreiber and Sons;cowgirls;Richard McLean;Thoroughbred Breeders;American Thoroughbred;Samford University Library;Trick Riding;Bronc Riding;Bucking Horse;Equine Sport;Enslaved Persons;Equestrian Sport;George Stubbs;Wild West Show;Quarter Horse;Albumen Print;Appaloosa Horse;Equestrian Culture;American Turf Register;Black Jockey;Virginia Museum;National Cowboy;Photographic Postcard;Turf Man;Indigenous Plains Peoples;Trick Horse