Paris and the Musical

Introduction

Part I. Capital Paris
1. Paris as Symbol - Venita Datta
2. 'Yes, I'm a Gay Parisian!' Establishing the Trope of 'Gay Paree': The Merry Widow -
Stefan Frey
3. 'Come and Play Wiz Me in Gay Paree': Approaching Cole Porter's Paris -
Hannah Robbins

Part II. Broadway Paris
4. Dressed by Paris: Mlle Modiste, Roberta and No Strings - Maya Cantu
5. Liberated by Paris: A Reconsideration of Three Broadway 'Flops' - Miss Liberty, Ben
Franklin in Paris and Dear World - Michael Garber 6. Seduced by Paris: Irma La Douce and Its Journey to Broadway - Stewart
Nicholls

Part III. Hollywood Paris
7. The Capital of Pre-Code Operettas: Paris at Paramount and MGM -
Marguerite Chabrol
8. Paris as Location: Funny Face, Les Girls, Silk Stockings and Gigi - Julia
Foulkes 9. Paris by Hand: Gay Purr-ee and Aristocats - Daniel Batchelder

Part IV. West End Paris
10. Shockwaves at a Distance: Ellis and Herbert's Bless the Bride - John Snelson 11. Performing Paris. Les Miserables, The Phantom of the Opera and Aspects of Love - John Snelson
12. The Courtesan and the Collaborator: Marguerite - Clare Chandler

Part V. Naughty Paris
13. Gay Shame in Gay Paree: Re-contextualising Gender Progressiveness in Two Film
Versions of Victor/Victoria - Florian Seubert
14. A la recherche de quel temps? Can-Can and the Fluidity of Paris perdu -
Raymond Knapp and Mitchell Morris
15. Art, Artifice and Artificiality: the Various Versions of the Musical Gigi - Olaf Jubin

Part VI. Artistic Paris
16. 'Artists in Art's Capital City': Americans in Paris on Screen and Stage -
Robert Gordon
17. Paris and the Curse of Chicago in Stephen Sondheim's Sunday in the Park with George - Robert Lawson-Peebles
18. The Paradoxical 'Frenchness' of an Australian Musical: Baz Luhrmann's Moulin Rouge! - Pierre-Olivier Toulza

Conclusion

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• História da Europa
• Estudos teatrais
• Musicais
• Filmes, cinema

Young Man;Cole Porter;Irene Bordoni;Hollywood;Napoleon III;Broadway;Apache Dance;West End;Notre Dame De Paris;Merry Widow;City Of Light;Moulin Rouge;Miserables;La Belle;American in Paris;Gay Shame;Gigi;Dear World;France;Miss Liberty;Sunday in the Park;West Germany;Funny Face;Le Chat Noir;musical theatre;adaptation theory;Silk Stockings;Broadway musicals;Vincente Minnelli;cultural studies;Angela Lansbury;Paris musicals;Paris Fashion Industry;Viennese Operetta;Arc De Triomphe;La Cage Aux Folles;Rue De La Paix;Die Lustige Witwe;Love Parade;Typical Montage Sequences