Perspectives on Greek Musical Modernism

1 Greek musical modernism in context
IOANNIS TSAGKARAKIS

2 Musical modernism in Greece: an overview
KOSTAS CHARDAS AND GIORGOS SAKALLIEROS

3 Dimitri Mitropoulos in the 1920s: the pioneering steps of musical modernism in Greece
GIORGOS SAKALLIEROS

4 Sonata form, sonata cycle, and multi-movement coherence in Nikos Skalkottas' free dodecaphonic works
EVA MANTZOURANI

5 Nikos Skalkottas' May Day Spell - A Fairy Drama: symbolic fusion of diatonicism and chromaticism
COSTAS TSOUGRAS

6 Nikos Skalkottas' musical borrowings and the art of collecting ideas
PETROS VOUVARIS

7 Struggling for the 'new' in the 1950s: twelve-note/tonal interactions in Symphony No. 3 and Concerto for Orchestra by Yannis A. Papaioannou
KOSTAS CHARDAS

8 A selective appropriation: Yorgos Sicilianos between modernism and postmodernism
VALIA CHRISTOPOULOU

9 Michael Adamis' poly-melodic structures and the creative renegotiation of Byzantine musical heritage
THEODORE KARATHODOROS

10 On Christou
PANOS VLAGOPOULOS

11Three components of Xenakis' universe
MAKIS SOLOMOS

12 On the evolution of Xenakis' compositional thinking
DIMITRIS EXARCHOS

13 Beyond the stave: performance indeterminacy and the limits of Greek musical experimentalism
DANAE STEFANOU

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• Artes: temas gerais
• Século 20 e música clássica contemporânea
• Estudos regionais
• Teoria da música e musicologia

twentieth-century music;Greek art music;music analysis;Dimitri Mitropoulos;Nikos Skalkottas;Yannis A. Papaioannou;Yorgos Sicilianos;Michael Adamis's;Iannis Xenakis