Perspectives on Greek Musical Modernism

About the Contributors

Introduction

Petros Vouvaris

1. Greek musical modernism in context

Ioannis Tsagkarakis

2. Musical modernism in Greece: An overview

Kostas Chardas and Giorgos Sakallieros

3. Dimitri Mitropoulos in the 1920s: The pioneering steps of musical modernism in Greece

Giorgos Sakallieros

4. Sonata form, sonata cycle, and multi-movement coherence in Nikos Skalkottas's free dodecaphonic works

Eva Mantzourani

5. Nikos Skalkottas's May Day Spell - A Fairy Drama: Symbolic fusion of diatonicism and chromaticism

Costas Tsougras

6. Nikos Skalkottas's musical borrowings and the art of collecting ideas

Petros Vouvaris

7. Struggling for the 'new' in the 1950s: Twelve-note/tonal interactions in Symphony No. 3 and Concerto for orchestra by Yannis A. Papaioannou

Kostas Chardas

8. A selective appropriation: Yorgos Sicilianos between modernism and postmodernism

Valia Christopoulou

9. Michael Adamis's poly-melodic structures and the creative renegotiation of Byzantine musical heritage

Theodore Karathodoros

10. On Christou

Panos Vlagopoulos

11. Three components of Xenakis's universe

Makis Solomos

12. On the evolution of Xenakis's compositional thinking

Dimitris Exarchos

13. Beyond the stave: Performance indeterminacy and the limits of Greek musical experimentalism

Danae Stefanou

Index

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• Artes: temas gerais
• Século 20 e música clássica contemporânea
• Estudos regionais
• Teoria da música e musicologia

twentieth-century music;Greek art music;music analysis;Dimitri Mitropoulos;Nikos Skalkottas;Yannis A. Papaioannou;Yorgos Sicilianos;Michael Adamis's;Iannis Xenakis