Music of Pavel Haas
Music of Pavel Haas
Analytical and Hermeneutical Studies
Curda, Martin
Taylor & Francis Ltd
06/2020
272
Dura
Inglês
9781138360013
15 a 20 dias
453
Descrição não disponível.
Introduction
1: Music and Avant-Garde Discourse in Inter-War Czechoslovakia
2: From the Monkey Mountains: The Body, the Grotesque, and Carnival
3: Suite for Piano, Op. 13 (1935): Neoclassical Tendencies
4: Rhythmic Layers and Musical Form: Janacekian Elements in Haas's Compositional Practice
5: Haas's Charlatan: A Tragi-Comedy about Old Comedians, Modern Individualists, and Uncanny Doubles
6: Four Songs on Chinese Poetry: Grief, Melancholy, Uncanny Reflections, and Vicious Circles in Songs from Terezin Conclusion
Bibliography
General Bibliography
Newspaper Reviews and Articles
Archival Documents (Pavel Haas)
Musical Editions
1: Music and Avant-Garde Discourse in Inter-War Czechoslovakia
2: From the Monkey Mountains: The Body, the Grotesque, and Carnival
3: Suite for Piano, Op. 13 (1935): Neoclassical Tendencies
4: Rhythmic Layers and Musical Form: Janacekian Elements in Haas's Compositional Practice
5: Haas's Charlatan: A Tragi-Comedy about Old Comedians, Modern Individualists, and Uncanny Doubles
6: Four Songs on Chinese Poetry: Grief, Melancholy, Uncanny Reflections, and Vicious Circles in Songs from Terezin Conclusion
Bibliography
General Bibliography
Newspaper Reviews and Articles
Archival Documents (Pavel Haas)
Musical Editions
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Danse Macabre;Wild Duck;aesthetic contextualisation;Haas's Works;Jewish composers;Hawkes Music Publishers;Lubomir Peduzzi;String Quartet;Pavel Haas's music;Erwin Schulhoff;Cantus Firmus;Wild Night;Chinese Poetry;Wind Quintet;Windmill Scene;St Wenceslas;Pitch Symmetry;Unfinished Symphony;Ostinato Pattern;Rhythmic Layers;La La;Folk Music;La La La;Allegro Moderato;Piano Interlude;Rhythmic Level;Younger Man;Percussion Set;Slow Section
Introduction
1: Music and Avant-Garde Discourse in Inter-War Czechoslovakia
2: From the Monkey Mountains: The Body, the Grotesque, and Carnival
3: Suite for Piano, Op. 13 (1935): Neoclassical Tendencies
4: Rhythmic Layers and Musical Form: Janacekian Elements in Haas's Compositional Practice
5: Haas's Charlatan: A Tragi-Comedy about Old Comedians, Modern Individualists, and Uncanny Doubles
6: Four Songs on Chinese Poetry: Grief, Melancholy, Uncanny Reflections, and Vicious Circles in Songs from Terezin Conclusion
Bibliography
General Bibliography
Newspaper Reviews and Articles
Archival Documents (Pavel Haas)
Musical Editions
1: Music and Avant-Garde Discourse in Inter-War Czechoslovakia
2: From the Monkey Mountains: The Body, the Grotesque, and Carnival
3: Suite for Piano, Op. 13 (1935): Neoclassical Tendencies
4: Rhythmic Layers and Musical Form: Janacekian Elements in Haas's Compositional Practice
5: Haas's Charlatan: A Tragi-Comedy about Old Comedians, Modern Individualists, and Uncanny Doubles
6: Four Songs on Chinese Poetry: Grief, Melancholy, Uncanny Reflections, and Vicious Circles in Songs from Terezin Conclusion
Bibliography
General Bibliography
Newspaper Reviews and Articles
Archival Documents (Pavel Haas)
Musical Editions
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Danse Macabre;Wild Duck;aesthetic contextualisation;Haas's Works;Jewish composers;Hawkes Music Publishers;Lubomir Peduzzi;String Quartet;Pavel Haas's music;Erwin Schulhoff;Cantus Firmus;Wild Night;Chinese Poetry;Wind Quintet;Windmill Scene;St Wenceslas;Pitch Symmetry;Unfinished Symphony;Ostinato Pattern;Rhythmic Layers;La La;Folk Music;La La La;Allegro Moderato;Piano Interlude;Rhythmic Level;Younger Man;Percussion Set;Slow Section