Twenty-First Century Musicals
-10%
portes grátis
Twenty-First Century Musicals
From Stage to Screen
Rodosthenous, George
Taylor & Francis Ltd
08/2017
236
Mole
Inglês
9781138648890
15 a 20 dias
350
Descrição não disponível.
Foreword - Barry Keith Grant Introduction - George Rodosthenous 1. Drag, rock, authenticity and in-betweenness: Hedwig and the Angry Inch (2001) 2. All That Jazz: the difficult journey of Chicago (2002) from stage to screen 3. Ready for His Close-Up: From Horror to Romance in The Phantom of the Opera (2004) 4. "Bohemia is Dead": Rent (2005) celebrating life in the face of death 5. Where did we go right (and wrong)? Success and failure in adaptations of The Producers (2005) from and to the screen 6. "Big, as in Large, as in Huge": Dreamgirls and Difference in the Performance of Gender, Blackness, and Popular Music History 7. At the Intersection of Music, Sexuality and Race: Hairspray's Generic and Aesthetic Variances 8. "With a Bit of Rock Music, Everything is Fine": MAMMA MIA! (2008) and the Camp Sensibility on screen 9. 81/2 to Nine to Nine: Evolutions of a Cinema Classic 10. 'You wanna hear the real story?': (Mis)remembering masculinity in Clint Eastwood's adaptation of Jersey Boys (2014) 11. The Ethical Exculpation of Moral Turpitude: Representations of Violence and Death in Sweeney Todd and Into The Woods 12. The Last Five Years (2014): Medium, Mode and the Making of Cathy. 13. The Trouble with "Little Girls": Annie on the big (and small) screen 14. London Road: the 'irruption of the real' and haunting utopias in the verbatim musical.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Extended Intertextual Engagements;film theory;Torch Song Trilogy;adaptation;Vice Versa;national identity;Jukebox Musicals;backstage;Original Stage Production;storytelling;Original Broadway Cast;camp;Fairy Tale;singing;Sondheim's Work;appropriation;Film Musical;narrative;Musical Theatre Actors;casting;Radio City Music Hall;Dominic Symonds;Drowsy Chaperone;Robert Gordon;Jesus Christ Superstar;Jessica Sternfeld;Younger Man;Mark Shields;Movie Musical;Julian Woolford;Horror Movie;Todd Decker;Stage Musical;Linda Mokdad;Gangster Film;Helen Deborah Lewis;Stage Musical Theatre;Arthur Pritchard;Black Popular Music;Sarah Whitfield;Drag Persona;Tim Stephenson;Stage Version;Sarah Browne;Angry Inch;Olaf Jubin;AIDS Pandemic;Demetris Zavros;ABBA Music
Foreword - Barry Keith Grant Introduction - George Rodosthenous 1. Drag, rock, authenticity and in-betweenness: Hedwig and the Angry Inch (2001) 2. All That Jazz: the difficult journey of Chicago (2002) from stage to screen 3. Ready for His Close-Up: From Horror to Romance in The Phantom of the Opera (2004) 4. "Bohemia is Dead": Rent (2005) celebrating life in the face of death 5. Where did we go right (and wrong)? Success and failure in adaptations of The Producers (2005) from and to the screen 6. "Big, as in Large, as in Huge": Dreamgirls and Difference in the Performance of Gender, Blackness, and Popular Music History 7. At the Intersection of Music, Sexuality and Race: Hairspray's Generic and Aesthetic Variances 8. "With a Bit of Rock Music, Everything is Fine": MAMMA MIA! (2008) and the Camp Sensibility on screen 9. 81/2 to Nine to Nine: Evolutions of a Cinema Classic 10. 'You wanna hear the real story?': (Mis)remembering masculinity in Clint Eastwood's adaptation of Jersey Boys (2014) 11. The Ethical Exculpation of Moral Turpitude: Representations of Violence and Death in Sweeney Todd and Into The Woods 12. The Last Five Years (2014): Medium, Mode and the Making of Cathy. 13. The Trouble with "Little Girls": Annie on the big (and small) screen 14. London Road: the 'irruption of the real' and haunting utopias in the verbatim musical.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Extended Intertextual Engagements;film theory;Torch Song Trilogy;adaptation;Vice Versa;national identity;Jukebox Musicals;backstage;Original Stage Production;storytelling;Original Broadway Cast;camp;Fairy Tale;singing;Sondheim's Work;appropriation;Film Musical;narrative;Musical Theatre Actors;casting;Radio City Music Hall;Dominic Symonds;Drowsy Chaperone;Robert Gordon;Jesus Christ Superstar;Jessica Sternfeld;Younger Man;Mark Shields;Movie Musical;Julian Woolford;Horror Movie;Todd Decker;Stage Musical;Linda Mokdad;Gangster Film;Helen Deborah Lewis;Stage Musical Theatre;Arthur Pritchard;Black Popular Music;Sarah Whitfield;Drag Persona;Tim Stephenson;Stage Version;Sarah Browne;Angry Inch;Olaf Jubin;AIDS Pandemic;Demetris Zavros;ABBA Music
